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Month: October 2017

The Laird Northside Bizarre
Community

Northside Bizarre

12 October 2017

A much-loved annual event on Melbourne’s LGBTI calendar, the Northside Bizarre is back at The […]

Bangarra Dance Theatre Rikki Mason and Waangenga Blanco - photo by Tiffany Parker
Arts & Culture

Bangarra joins growing list of arts organisations to support marriage equality

10 October 2017

One of Australia’s leading performing arts companies, Bangarra Dance Theatre has joined the growing list […]

SBS Create NSW Generator Emerging Filmmaker Recipient Teams
Arts & Culture

Emerging LGBTIQ filmmakers share in funding for Mardi Gras 40th Anniversary

6 October 2017

NSW Minister for the Arts Don Harwin and SBS have announced the six emerging filmmaking […]

Taylor Mac presents A 24-Decade History of Popular Music - photo by Little Fang
Arts & Culture

Top Picks of the 2017 Melbourne Festival

4 October 2017

With a spectacular lineup of dance, theatre, circus, contemporary and classical music, visual arts and […]

The Coming Back Out Ball
Arts & Culture

The Coming Back Out Ball

3 October 2017

A spectacular social event celebrating Lesbian, Gay, Bisexual, Transgender and Intersex (LGBTI) elders. Hosted by the […]

Posts pagination

« 1 … 3 4 5 »

Joshua Hauville Joshy in Paris

Visit Gay Australia

News In Pictures

  • ACF-Reuben-Kaye-photo-by-Claudio-Raschella
  • A Transgender Woman on the Internet, Crying – photo by Brett Boardman
  • Caroline O’Connor, Brendan Monger and the Cast of The Prom – photo by Robert Miniter
  • Joshua Hauville stars in Joshy in Paris
  • TOOTSIE
  • John Cameron Mitchell
  • Briefs Factory: The Works – photos by Sean Breadsell
  • Chloe Halley stars in Little Miss Typecast - photo by TNS Studios
  • After a critically acclaimed Sydney season, BIG Live brings The Great Gatsby: A Jazz Ballet Odyssey to Melbourne’s Her Majesty’s Theatre for a strictly limited 18-performance season from 18 March 2026. Reimagining F. Scott Fitzgerald’s iconic novel through ballet, tap and jazz, the production transforms one of literature’s most enduring love stories into a large-scale theatrical event. It is not a nostalgic period piece, but a contemporary retelling driven by movement, music and psychological intensity. The Sydney response confirmed there is a strong appetite for narrative-led ballet at scale. The Melbourne season builds on that momentum, positioning the work as one of the most ambitious independent dance productions currently touring in Australia. Directed and choreographed by Joel Burke, the production reframes Jay Gatsby not as satire, but as a man gripped by belief. “For me, Gatsby isn’t irony,” says Burke. “He is a romantic who genuinely believes the past can be remade. I wanted to remove the wink and let the longing sit front and centre.” Burke’s choreography uses physical contrast to drive the narrative. The excess of Gatsby’s parties unfolds in expansive, rhythm-charged ensemble sequences, while moments of deliberate awkwardness and unexpected stillness expose the character’s vulnerability. Movement is frequently interrupted or restrained, allowing hesitation, imbalance and silence to carry dramatic weight. “I’m interested in what happens when the body resists,” adds Burke. “Sometimes the stillness tells the story more truthfully than virtuosity.” An original score by Emmy Award-winning composer Jason Fernandez, alongside Dominic Cabusi, gives the production cinematic propulsion. Classical ballet technique is interwoven with tap and jazz phrasing, creating a physical language that mirrors the glamour of the Jazz Age while revealing its instability. The cast features alumni of the Mariinsky Theatre, English National Ballet, Queensland Ballet, The Australian Ballet and Stuttgart Ballet. From the wildly thrilling scale of Gatsby’s infamous parties to the stripped-back, exposed intimacy of his longing, the production's pacing is designed to be relentless. Visually, musically, and emotionally, the momentum builds continuously toward the final image of the green light. “Even though it’s a full theatrical experience, I want that sensation of, ‘I can’t believe it’s already over,’” says Burke. “Because theatre should feel transporting. It should sweep you up completely... and when the curtain falls, there should be that slight disbelief - that rare feeling that you’ve just experienced something larger than you expected.” The Great Gatsby: A Jazz Ballet Odyssey Her Majesty's Theatre, 240 Exhibition Street, Melbourne Season: 18 March - 5 April 2026 Bookings: www.ticketek.com.au Following the Melbourne season, The Great Gatsby: A Jazz Ballet Odyssey will play Canberra Theatre Centre (8 - 12 April), Cairns Performing Arts Centre (16 - 19 April), Crown Theatre Perth (25 - 26 July), Newcastle Civic Theatre (22 - 23 August) and Her Majesty's Theatre, Adelaide (2 - 6 September). For more information, visit: www.bigliveco.com for details. Image: The Great Gatsby: A Jazz Ballet Odyssey - courtesy of BIG Live

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News in Pictures
  • ACF-Reuben-Kaye-photo-by-Claudio-Raschella
  • A Transgender Woman on the Internet, Crying – photo by Brett Boardman
  • Caroline O’Connor, Brendan Monger and the Cast of The Prom – photo by Robert Miniter
  • Joshua Hauville stars in Joshy in Paris
  • TOOTSIE
  • John Cameron Mitchell
  • Briefs Factory: The Works – photos by Sean Breadsell
  • Chloe Halley stars in Little Miss Typecast - photo by TNS Studios
  • After a critically acclaimed Sydney season, BIG Live brings The Great Gatsby: A Jazz Ballet Odyssey to Melbourne’s Her Majesty’s Theatre for a strictly limited 18-performance season from 18 March 2026. Reimagining F. Scott Fitzgerald’s iconic novel through ballet, tap and jazz, the production transforms one of literature’s most enduring love stories into a large-scale theatrical event. It is not a nostalgic period piece, but a contemporary retelling driven by movement, music and psychological intensity. The Sydney response confirmed there is a strong appetite for narrative-led ballet at scale. The Melbourne season builds on that momentum, positioning the work as one of the most ambitious independent dance productions currently touring in Australia. Directed and choreographed by Joel Burke, the production reframes Jay Gatsby not as satire, but as a man gripped by belief. “For me, Gatsby isn’t irony,” says Burke. “He is a romantic who genuinely believes the past can be remade. I wanted to remove the wink and let the longing sit front and centre.” Burke’s choreography uses physical contrast to drive the narrative. The excess of Gatsby’s parties unfolds in expansive, rhythm-charged ensemble sequences, while moments of deliberate awkwardness and unexpected stillness expose the character’s vulnerability. Movement is frequently interrupted or restrained, allowing hesitation, imbalance and silence to carry dramatic weight. “I’m interested in what happens when the body resists,” adds Burke. “Sometimes the stillness tells the story more truthfully than virtuosity.” An original score by Emmy Award-winning composer Jason Fernandez, alongside Dominic Cabusi, gives the production cinematic propulsion. Classical ballet technique is interwoven with tap and jazz phrasing, creating a physical language that mirrors the glamour of the Jazz Age while revealing its instability. The cast features alumni of the Mariinsky Theatre, English National Ballet, Queensland Ballet, The Australian Ballet and Stuttgart Ballet. From the wildly thrilling scale of Gatsby’s infamous parties to the stripped-back, exposed intimacy of his longing, the production's pacing is designed to be relentless. Visually, musically, and emotionally, the momentum builds continuously toward the final image of the green light. “Even though it’s a full theatrical experience, I want that sensation of, ‘I can’t believe it’s already over,’” says Burke. “Because theatre should feel transporting. It should sweep you up completely... and when the curtain falls, there should be that slight disbelief - that rare feeling that you’ve just experienced something larger than you expected.” The Great Gatsby: A Jazz Ballet Odyssey Her Majesty's Theatre, 240 Exhibition Street, Melbourne Season: 18 March - 5 April 2026 Bookings: www.ticketek.com.au Following the Melbourne season, The Great Gatsby: A Jazz Ballet Odyssey will play Canberra Theatre Centre (8 - 12 April), Cairns Performing Arts Centre (16 - 19 April), Crown Theatre Perth (25 - 26 July), Newcastle Civic Theatre (22 - 23 August) and Her Majesty's Theatre, Adelaide (2 - 6 September). For more information, visit: www.bigliveco.com for details. Image: The Great Gatsby: A Jazz Ballet Odyssey - courtesy of BIG Live
Latest Posts
  • Adelaide Cabaret Festival reveals Reuben Kaye’s delicious revolution
  • A Transgender Woman on the Internet, Crying (review)
  • The Prom (review)
  • Joshua Hauville: Joshy in Paris
  • Cast Announced for Australian Premiere of Tootsie at Sydney’s Teatro at the Italian Forum
  • John Cameron Mitchell announces return to Australia
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