The Boys in the Band (review)

JTC-The-Boys-in-the-BandPresented by James Terry Collective, Mart Crowley’s seminal play, The Boys in the Band, has been masterfully revived under the direction of Alister Smith at Melbourne’s Chapel Off Chapel.

Marking a groundbreaking moment in LGBTQ+ theatre and one of the first plays to centre openly gay characters, the play debuted Off-Broadway in 1968, providing an unflinching, humorous, and often painful look at the struggles of gay men in pre-Stonewall America.

Set against the backdrop of a New York apartment, the narrative delves into the complexities of friendship, identity, and self-acceptance among a group of gay men gathered for a birthday celebration.

Smith’s production not only pays homage to the original work but also breathes new life into its ongoing themes, ensuring the story’s relevance resonates with a contemporary audience.

JTC The Boys in the Band The ensemble cast delivers performances that are both authentic and compelling: Maverick Newman shines as Michael, the charismatic yet conflicted host whose sharp wit masks deeper insecurities. Jack Stratton-Smith portrays Donald, Michael’s on-again, off-again lover, with a nuanced blend of vulnerability and warmth.

Ryan Henry brings exuberance to the role of Emory, infusing the production with moments of levity and heartfelt emotion. Mitchell Holland as Alan, the unexpected guest, effectively conveys the tension of a man grappling with his own inner turmoil.

Stephen Mahy and Andy Johnston as Hank and Larry, respectively, depict the complexities of a modern relationship with depth and sincerity. Adolphus Waylee offers a touching performance as Bernard, highlighting the intersections of race and sexuality.

Mason Gasowski embodies Harold, the birthday guest of honour, capturing his sardonic humour and underlying sensitivity with finesse. Harry McGinty charms as Cowboy, bringing innocence and humour to the ensemble.

JTC The Boys in the Band The production’s design elements are equally noteworthy. Immediately drawing audiences into the world of the play, Harry Gill’s set design is simply impressive. With its red carpet and silver mylar curtains (and a nod to Judy), the design vividly evoked a Manhattan-chic Upper West Side aesthetic. Costuming in collaboration with Jessamine Moffett added to the charm and authenticity of this production.

Tom Vulcan’s lighting design seamlessly transitions between the story’s celebratory atmosphere and its more intimate, introspective moments. Jake Sipcic and Jack Burmeister’s sound ensured clarity, allowing the sharp, witty dialogue to resonate fully.

A testament to the power of Crowley’s writing and the vision of Alister Smith’s direction, this staging of The Boys in the Band offers audiences a chance to reflect on the progress made in LGBTQIA+ representation while acknowledging the challenges that still persist on the journey toward acceptance and self-love.


The Boys in the Band
Chapel Off Chapel, 12 Little Chapel Street, Prahran
Performance: Friday 14 March 2025
Information: www.theboysintheband.com.au

Image: The Boys in the Band – courtesy of James Terry Collective

Review: Rohan Shearn