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Month: July 2017

Victorian Pride Centre new logo 630
News

Victorian Pride Centre updates logo

31 July 2017

The Victorian Pride Centre logo has been updated with two new stripes — brown and […]

Community

HIV Testing is back on the Bus and heading to Broken Hill

31 July 2017

The Ending HIV Bus is returning to Broken Hill for all the glamour and glitter […]

TC Eugenia Falleni
Arts & Culture

Tall ships, tall tales, and the mysteries of Eugenia Falleni

31 July 2017

I’m an unlikely sailor of tall ships. Too clumsy, too prone to motion sickness, too […]

The Production Company Jesus Christ Superstar Alinta Chidzey, Rob Mills, and Zoy Frangos
Arts & Culture

Jesus Christ Superstar

28 July 2017

A global phenomenon that has wowed audiences for over 45 years, The Production Company (TPC) presents Tim […]

Roslyn Packer Theatre Velvet Marcia Hines - photo by Sam Oster
Arts & Culture

VELVET set to dazzle Sydney’s Roslyn Packer Theatre

27 July 2017

After nationwide rave reviews and audience acclaim, the ARIA nominated and award-winning hit show VELVET is back […]

Posts pagination

1 2 … 7 »

Joshua Hauville Joshy in Paris

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News In Pictures

  • Joshua Hauville stars in Joshy in Paris
  • TOOTSIE
  • John Cameron Mitchell
  • Briefs Factory: The Works – photos by Sean Breadsell
  • Chloe Halley stars in Little Miss Typecast - photo by TNS Studios
  • After a critically acclaimed Sydney season, BIG Live brings The Great Gatsby: A Jazz Ballet Odyssey to Melbourne’s Her Majesty’s Theatre for a strictly limited 18-performance season from 18 March 2026. Reimagining F. Scott Fitzgerald’s iconic novel through ballet, tap and jazz, the production transforms one of literature’s most enduring love stories into a large-scale theatrical event. It is not a nostalgic period piece, but a contemporary retelling driven by movement, music and psychological intensity. The Sydney response confirmed there is a strong appetite for narrative-led ballet at scale. The Melbourne season builds on that momentum, positioning the work as one of the most ambitious independent dance productions currently touring in Australia. Directed and choreographed by Joel Burke, the production reframes Jay Gatsby not as satire, but as a man gripped by belief. “For me, Gatsby isn’t irony,” says Burke. “He is a romantic who genuinely believes the past can be remade. I wanted to remove the wink and let the longing sit front and centre.” Burke’s choreography uses physical contrast to drive the narrative. The excess of Gatsby’s parties unfolds in expansive, rhythm-charged ensemble sequences, while moments of deliberate awkwardness and unexpected stillness expose the character’s vulnerability. Movement is frequently interrupted or restrained, allowing hesitation, imbalance and silence to carry dramatic weight. “I’m interested in what happens when the body resists,” adds Burke. “Sometimes the stillness tells the story more truthfully than virtuosity.” An original score by Emmy Award-winning composer Jason Fernandez, alongside Dominic Cabusi, gives the production cinematic propulsion. Classical ballet technique is interwoven with tap and jazz phrasing, creating a physical language that mirrors the glamour of the Jazz Age while revealing its instability. The cast features alumni of the Mariinsky Theatre, English National Ballet, Queensland Ballet, The Australian Ballet and Stuttgart Ballet. From the wildly thrilling scale of Gatsby’s infamous parties to the stripped-back, exposed intimacy of his longing, the production's pacing is designed to be relentless. Visually, musically, and emotionally, the momentum builds continuously toward the final image of the green light. “Even though it’s a full theatrical experience, I want that sensation of, ‘I can’t believe it’s already over,’” says Burke. “Because theatre should feel transporting. It should sweep you up completely... and when the curtain falls, there should be that slight disbelief - that rare feeling that you’ve just experienced something larger than you expected.” The Great Gatsby: A Jazz Ballet Odyssey Her Majesty's Theatre, 240 Exhibition Street, Melbourne Season: 18 March - 5 April 2026 Bookings: www.ticketek.com.au Following the Melbourne season, The Great Gatsby: A Jazz Ballet Odyssey will play Canberra Theatre Centre (8 - 12 April), Cairns Performing Arts Centre (16 - 19 April), Crown Theatre Perth (25 - 26 July), Newcastle Civic Theatre (22 - 23 August) and Her Majesty's Theatre, Adelaide (2 - 6 September). For more information, visit: www.bigliveco.com for details. Image: The Great Gatsby: A Jazz Ballet Odyssey - courtesy of BIG Live
  • MARVELous: A Risqué Parody
  • APN ACON Australian Pride in Sport Awards
  • Dolly Diamond

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The Australian Pride Network exists to promote Lesbian, Gay, Bisexual, Transgender and Intersex (LGBTI) Pride on a national level, encouraging diverse communities in Australia to hold and attend pride events, whilst increasing promotional and networking opportunities among Australian pride organisations.

News in Pictures
  • Joshua Hauville stars in Joshy in Paris
  • TOOTSIE
  • John Cameron Mitchell
  • Briefs Factory: The Works – photos by Sean Breadsell
  • Chloe Halley stars in Little Miss Typecast - photo by TNS Studios
  • After a critically acclaimed Sydney season, BIG Live brings The Great Gatsby: A Jazz Ballet Odyssey to Melbourne’s Her Majesty’s Theatre for a strictly limited 18-performance season from 18 March 2026. Reimagining F. Scott Fitzgerald’s iconic novel through ballet, tap and jazz, the production transforms one of literature’s most enduring love stories into a large-scale theatrical event. It is not a nostalgic period piece, but a contemporary retelling driven by movement, music and psychological intensity. The Sydney response confirmed there is a strong appetite for narrative-led ballet at scale. The Melbourne season builds on that momentum, positioning the work as one of the most ambitious independent dance productions currently touring in Australia. Directed and choreographed by Joel Burke, the production reframes Jay Gatsby not as satire, but as a man gripped by belief. “For me, Gatsby isn’t irony,” says Burke. “He is a romantic who genuinely believes the past can be remade. I wanted to remove the wink and let the longing sit front and centre.” Burke’s choreography uses physical contrast to drive the narrative. The excess of Gatsby’s parties unfolds in expansive, rhythm-charged ensemble sequences, while moments of deliberate awkwardness and unexpected stillness expose the character’s vulnerability. Movement is frequently interrupted or restrained, allowing hesitation, imbalance and silence to carry dramatic weight. “I’m interested in what happens when the body resists,” adds Burke. “Sometimes the stillness tells the story more truthfully than virtuosity.” An original score by Emmy Award-winning composer Jason Fernandez, alongside Dominic Cabusi, gives the production cinematic propulsion. Classical ballet technique is interwoven with tap and jazz phrasing, creating a physical language that mirrors the glamour of the Jazz Age while revealing its instability. The cast features alumni of the Mariinsky Theatre, English National Ballet, Queensland Ballet, The Australian Ballet and Stuttgart Ballet. From the wildly thrilling scale of Gatsby’s infamous parties to the stripped-back, exposed intimacy of his longing, the production's pacing is designed to be relentless. Visually, musically, and emotionally, the momentum builds continuously toward the final image of the green light. “Even though it’s a full theatrical experience, I want that sensation of, ‘I can’t believe it’s already over,’” says Burke. “Because theatre should feel transporting. It should sweep you up completely... and when the curtain falls, there should be that slight disbelief - that rare feeling that you’ve just experienced something larger than you expected.” The Great Gatsby: A Jazz Ballet Odyssey Her Majesty's Theatre, 240 Exhibition Street, Melbourne Season: 18 March - 5 April 2026 Bookings: www.ticketek.com.au Following the Melbourne season, The Great Gatsby: A Jazz Ballet Odyssey will play Canberra Theatre Centre (8 - 12 April), Cairns Performing Arts Centre (16 - 19 April), Crown Theatre Perth (25 - 26 July), Newcastle Civic Theatre (22 - 23 August) and Her Majesty's Theatre, Adelaide (2 - 6 September). For more information, visit: www.bigliveco.com for details. Image: The Great Gatsby: A Jazz Ballet Odyssey - courtesy of BIG Live
  • MARVELous: A Risqué Parody
  • APN ACON Australian Pride in Sport Awards
  • Dolly Diamond
Latest Posts
  • Joshua Hauville: Joshy in Paris
  • Cast Announced for Australian Premiere of Tootsie at Sydney’s Teatro at the Italian Forum
  • John Cameron Mitchell announces return to Australia
  • Briefs Factory: The Works (review)
  • Little Miss Typecast
  • The Great Gatsby: A Jazz Ballet Odyssey
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