Review: The Campaign
The Campaign, written by Campion Decent and directed by Peter Blackburn, is a wonderful work of theatre that exists in an engaging Venn Diagram space where the circles for creative non-fiction and verbatim theatre overla...
Category: Events
Review: Poorly Drawn Shark
Poorly Drawn Shark is arguably one of the best shows you will see during Midsumma 2020. Part memory play, part power point presentation, part lecture on the intersection of colonialism and fetish, performers Ming Yang Li...
Review: AS ONE
As One stakes a claim as the first chamber opera to consider a “transgender experience”. Presented by Gertrude Opera at Midsumma 2020, this is the work’s Australian premiere season. The work shows us the progression of a...
Review: The Girly Game
The Girly Game is one show that you MUST add to your Fringe World list. It is cheap and vulgar and nasty and caaaaaaamp! This is what Fringe is (or should be) all about – some great local talent just having some d...
Review: This Bitter Earth
A deeply rich and wickedly biting insight into queer stories and queer voices. Chris Edwards’ play is dripping with glittery venom – no one is safe as his characters slash and snap their way across the stage. This ...
Awkward Conversations with Animals I’ve F****d
Following sell-out seasons in London and Edinburgh, Gavin Roach presents the Western Australian premiere of Rob Hayes’ critically acclaimed dark comedy about love, acceptance and boundaries, Awkward Conversations With An...
Leopard Print Loincloth
Turning their thirst for provocation and liberation on the modern Australian man, Kissing Booth and Theatre Works presents the world premiere of Leopard Print Loincloth as part of the 2020 Midsumma Festival this February...
Review: The Boy I Paid For
The Boy I Paid For is a surprisingly layered journey through love, acceptance, romance and sex. With a title like this work has, one could easily think that this would be a basic story brimming with cliche but it is far ...
